| contributions to technique and tradition | contributions to instrument design and manufacture | associated repertoire/texts | |
|---|---|---|---|
| Johann Christoph Denner 1655-1707 Germany |
Started a family line of instrument makers. Known as the inventor of the clarinet. | ||
| Anton Stadler 1753-1812 Austria |
Dominant Viennese wind player of his day, before the clarinet was frequently heard as a solo instrument. Inventor of the basset clarinet. | A friend of Mozart; Mozart’s clarinet quintet and clarinet concerto were written for Stadler and his basset clarinet. | |
| Xavier Lefèvre 1763-1829 Switzerland, France |
First clarinet professor at Paris Conservatory, 1795-1824. Played with reed on upper lip. Standardized range of e to c’’’’. | May have invented the C#/G# key? | Also a composer. |
| Heinrich Baermann 1784-1847 Germany |
Well-traveled and much-admired soloist. | Known for collaborations with composers Weber (two concerti), Mendelssohn, and Meyerbeer. | |
| Iwan Müller 1786-1854 Estonia, Germany |
Active as a soloist. | Invented improved clarinets (1809) and basset horns (1808); claimed invention of the alto clarinet. Invented the metal ligature (1817). | His brilliant style and improved instrument inspired composers to write pieces for him. |
| Louis-Auguste Buffet (Jr.) 1789-1864 France |
Instrument maker. Best known for collaborating with Klose on the creation of the Boehm-system clarinet. | ||
| Hyacinthe Klose 1808-1880 France |
1838-1868, professor of clarinet at Paris Conservatory. | In the 1830s, collaborated with Buffet in applying Boehm’s ring-key system to the clarinet. | Wrote tutor for clarinet, and several for the new saxophone. |
| Eugène Albert 1816-1890 Belgium |
Clarinet maker. Known for finely made instruments—especially the “Albert system” clarinet, though it was essentially a Sax refinement of Müller’s 13-key clarinet. | ||
| Oskar Oehler 1858-1936 Germany |
Orchestral player; played with groups including the Berlin Philharmonic. | Perfected the modern German clarinet with his modifications to the Baermann instrument. | |
| Simeon Bellison 1883-1953 Russia, USA |
Orchestral player, including NY Phil 1920-1948. Used Oehler clarinets with very hard reed tied on. | ||
| Benny Goodman 1909-1986 USA |
Best known as a jazz musician and bandleader; later achieved success as a classical clarinetist. | Commissioned Bartok’s Contrasts, Copland Concerto, and Hindemith Concerto. | |
| David Weber 1913-2006 Lithuania, USA |
Orchestral player with NBC Symphony, NY Phil, Met Opera, CBS Symphony, and more. Influential teacher at Juilliard and Columbia University. |